
Backfire
2017

Representation Score
Minimal
2009
Director
Conrad Pla
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Burning Mussolini follows a conventional crime-drama trajectory centered on a singular male protagonist. The plot prioritizes individualistic struggle and personal desperation over systemic or identity-based power dynamics. The narrative relies on established genre clichés, such as the boxer and the drug lord, emphasizing physical struggle and moral causality. This focus results in a lack of depth or social critique. Ultimately, the film adheres to traditional masculine archetypes and standard narrative structures, offering little in the way of diverse representation or disruption of social hierarchies.
Category Breakdown
The film does not include any visible LGBTQ+ characters or non-assuming gender matches what was assigned at birth identities. The central wedding plot follows a traditional framework without exploring diverse sexual orientations.
The story focuses heavily on male-driven conflict and masculine archetypes. Female characters do not play a significant role in driving the story or challenge gender hierarchies.
While the protagonist's surname suggests a specific ethnic background, the narrative does not explicitly explore themes of racial identity. It relies on standard crime genre clichés.
The plot operates within a standard morality framework centered on outlaw versus authority. It lacks deep cultural critique or diverse institutional perspectives.
There is no mention of characters navigating physical, neurodivergent, or mental health conditions. The narrative does not address disability within its context.
Present on Screen
Limited or Absent
Official Synopsis
Ex-boxer Paul Choquino decides to finance his upcoming wedding by robbing reputed drug lord Benito Mussolini Bonacci. But everything that can go wrong in the burn does and Paul is left running from the law, the mob and one of the members of his own posse.

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