
Stille Nacht V: Dog Door
2001
No Poster Available
Representation Score
Fair
2002
Director
Alexey Budovsky
Runtime
3 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Bathtime in Clerkenwell is an experimental animation that prioritizes surreal metaphor over human-centric identity. Using a metaphorical 'Great Revolution' of cuckoos to disrupt London, the film engages with themes of systemic displacement and the subversion of social structures. While the work excels at challenging traditional societal norms through its avant-garde narrative, it lacks specific demographic visibility. Traditional markers of gender, race, and sexual orientation are largely obscured by the abstraction. Ultimately, the film's diversity lies in its thematic disruption rather than character representation. It functions more as a critique of institutional stability than a study of human intersectionality.
Category Breakdown
The film does not explicitly depict LGBTQ+ identities or relationships outside of heteronormativity. The focus on a metaphorical bird revolution avoids direct references to human identity markers.
The story centers on a collective movement of cuckoos, avoiding traditional gender hierarchies but also failing to give characters significant roles in driving the story.
The use of non-human metaphors may serve as a proxy for discussing displacement and social reorganization, but the racial diversity of the displaced population remains unspecified.
The film critiques established urban order and institutional stability, depicting a systemic takeover that challenges social hierarchies.
There are no characters with visible or invisible disabilities within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
This animation is based on Stephen Coates composition under the same title. This film is about The Great Revolution of the British Cuckoos, who bravely took over London, forcing all the people to move inside the cuckoo clocks. Animation by Alex Budovsky. Music by "(The Real) Tuesday Weld."

2001

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