The film lacks explicit depictions of same-sex intimacy or non-cisnormative identities. However, the central partnership between two species defying biological norms offers a potential metaphor for non-heteronormative companionship.

The narrative focuses on species-based dynamics rather than human gender hierarchies. While specific gendered roles are not established, the subversion of predator/prey roles suggests a disruption of traditional power structures.

By centering characters who are misfits within their own biological groups, the film uses non-human species to navigate themes of intersectionality. This approach disrupts the concept of a homogeneous, normative group.

The story challenges the 'law of the jungle' by presenting a protagonist who rejects his species' survival instincts. The quest for 'Paradise' suggests a pursuit of an idealized state outside established orders.

The film provides significant agency to characters with physical limitations. The flightless pterodactyl and the non-predatory tyrannosaurus drive the plot through their unique circumstances rather than being defined by deficits.