The film's surrealist structure obscures traditional identity signifiers. While symbolic imagery allows for fluid interpretations of desire, there is no explicit evidence of non-cisnormative identities or same-sex intimacy.

The narrative centers on female-coded figures within a mythic framework. It avoids rigid patriarchal hierarchies, though it lacks specific evidence of subverting gendered power dynamics or portraying masculinity as inept.

The film utilizes anthropomorphic characters, such as White Mice and creatures under an oak. These archetypes suggest class-based hierarchies rather than explicit racial or ethnic textures.

The film prioritizes ritualistic symbolism and dream-state spirituality over organized religion. Its focus on myth disrupts the didactic morality often found in Western commercial animation.

The abstract nature of the film makes it difficult to identify specific portrayals of physical or neurodivergent disabilities. No characters appear to be used as mere plot devices.