
Big Data, Big Brother
2020

2018
Director
Jimmy Leipold
Runtime
54 minutes
Average Rating
No ratings yetSynopsis
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on institutional mechanics and the career of Edward Bernays. There are no visible LGBTQ+ character arcs or queer-coded narratives present in the historical study.
Gender Representation
The narrative centers on male figures and patriarchal power structures. While it examines how these systems marginalize voices, there is little evidence of female agency or gender subversion.
Racial & Ethnic Diversity
The documentary investigates how propaganda affects broad populations during an era of significant racial stratification. However, it lacks specific focus on racialized propaganda or diverse perspectives.
Religious & Cultural Diversity
The film offers a sharp critique of Western institutions and capitalist influence. It portrays the mechanisms of social control as manipulative, challenging the stability of democratic information exchange.
Disability Representation
The documentary provides no evidence regarding the portrayal of physical disabilities or neurodivergence.
Strengths
Areas for Improvement
AI Analysis
Propaganda: Engineering Consent functions primarily as a systemic critique rather than a study of individual identity. It prioritizes the deconstruction of power structures and the mechanics of mass manipulation over personal representation. The film's strength lies in its cultural skepticism. By exposing the 'engineering of consent,' it challenges the integrity of capitalist and democratic institutions, offering a progressive interrogation of how authority operates. However, the documentary lacks depth in identity-based categories. It remains focused on the historical influence of male figures and institutional frameworks, leaving little room for diverse social or personal narratives.
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