Today We Kill, Tomorrow We Die!

The film adheres to a traditional framework that assumes everyone is straight and cisgender. There are no non-assuming gender matches what was assigned at birth gender identities or same-sex relationships.

The story is primarily driven by male characters. Women have limited roles and do not challenge patriarchal structures.

The production reflects the homogeneous casting patterns typical of mid-century European Westerns. It lacks significant non-white characters in positions of narrative importance.

The story focuses on personal vendettas and moral relativism, avoiding systemic critiques of institutions. It emphasizes the lawlessness typical of the genre.

There are no characters with visible or invisible disabilities. Disability is not used to develop characters.