The film lacks explicit depictions of LGBTQ+ characters or non-cisnormative identities. While the story explores identity crises, there is no verifiable queer presence or specific non-heteronormative character arcs.

The narrative focuses on a psychological study of political identity through Enrico. It suggests a disruption of conventional masculine dominance by forcing an ultra-rightist character into a position of vulnerability.

By centering the story in a refugee center, the film inherently highlights marginalized, non-Western populations. This setting serves as a metaphor for the breakdown of racialized political boundaries during an apocalypse.

The film critiques xenophobia by framing the refugee center as a site of safety and communal agency. It challenges nationalist sentiments by rendering traditional political hierarchies obsolete through systemic collapse.

There is no specific information regarding the portrayal of physical or neurodivergent disabilities within the narrative.