The film lacks explicit mention of LGBTQ+ characters or non-cisnormative identities. The narrative focus remains strictly on a religious protagonist and a possessed antagonist.

A female Nun serves as the primary authority and agent of action. This placement disrupts traditional horror hierarchies by giving a woman specialized expertise and high agency.

The ensemble includes Noriko Sato and Ray Faiola, providing some ethnic variety. However, there is no evidence of a non-white majority or deep intersectional complexity.

The story centers on Catholic rites and spiritual crises. The plot appears to lean toward restoring spiritual order rather than critiquing religious institutions.

The theme of possession risks using mental health or neurodivergence as a mere horror trope. There is no evidence of characters with actual disabilities being given agency.