
The Long Holiday
2000

Representation Score
Excellent
2017
Director
Raz Degan
Runtime
83 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Last Shaman is a powerful piece of ethnographic cinema that prioritizes the survival of indigenous cultural memory. It succeeds by challenging Western-centric narratives and validating localized, spiritual ways of being against the encroachment of modern capitalism. However, the film's scope is narrow. The narrative architecture is heavily centered on a singular male experience, which limits the breadth of gender and LGBTQ+ representation within the story.
Category Breakdown
The film focuses on the protagonist's existential journey and Sardinian traditions. There are no explicit LGBTQ+ character arcs or narratives addressing the assumption that everyone is straight or cisgender.
The narrative centers on a male protagonist's spiritual crisis. It lacks a significant focus on women's ability to drive the story or the subversion of traditional gendered roles.
The documentary excels by centering Nuragic culture and indigenous Sardinian identities. It challenges modern European homogeneity by highlighting specific, localized ethnic nuances.
The film critiques globalization by prioritizing traditional spirituality over modern institutions. It frames the tension between ancient shamanic practices and Western consumerist norms.
The film explores mental health through the protagonist's psychological crisis. It treats his search for spiritual salvation with depth rather than mere spectacle.
Present on Screen
Limited or Absent
Official Synopsis
James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.

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