
Premier de la classe
2019

Representation Score
Good
2016
Director
Lamine Diakite
Average Rating
No ratings yetNew Showbiz Analysis
Lamine Diakite's comedy disrupts Western-centric storytelling by featuring a diverse, non-white cast. By centering these performers, the film gives significant roles to those often excluded in mainstream cinema. While the film excels in racial and ethnic diversity, it remains silent on other fronts. There is a noticeable lack of LGBTQ+ narratives and disability representation, leaving these areas untouched. The Francophone roots and focus on social hierarchy suggest a departure from Hollywood's typical narrative structures, even if specific character arcs remain undefined.
Category Breakdown
The film doesn't include any clear LGBTQ+ characters or stories. While it doesn't promote straight-centered ideas, it also doesn't highlight non-cisgender identities.
Female performers such as Fanny Pierre and Alix Bénézech bring balance to the cast. The comedic genre allows for challenging traditional gender roles through satire.
The cast includes a majority of non-Anglo-Saxon actors like Fahmi Guerbaa and Sory Diakite. This mix breaks the typical Western homogeneity by highlighting diverse ethnic backgrounds.
As a French-language production, the film may operate outside American cultural norms. The title hints at themes of social hierarchy and reversing traditional status.
There is no mention of physical or neurodivergent disabilities in the film. The movie lacks visible representation for these communities in its main cast.
Present on Screen
Limited or Absent

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