The film lacks explicit focus on LGBTQ+ identities or non-cisnormative expressions. While the bond between Marie and Theo avoids standard romantic tropes, it does not actively critique heteronormativity.

Marie serves as a strong protagonist who navigates a male-dominated criminal world with agency. The story avoids the damsel in distress trope, highlighting female autonomy in precarious settings.

The narrative focuses on a localized urban French setting and marginalized socioeconomic classes. There is no evidence of a non-white majority cast or intentional racial intersectionality.

The film critiques Western institutions by showing the breakdown of family and legal authority. It frames survival-based theft as a response to a systemic socioeconomic vacuum.

Characters with visible or invisible disabilities are not portrayed with agency. The narrative remains strictly centered on the survivalist struggles of the protagonists.