The film lacks LGBTQ+ characters and does not explore non-heteronormative identities. There is no presence of same-sex intimacy or critique of heteronormative structures.

Narrative agency is concentrated in male characters, specifically the police officer and his brother. Female characters are largely relegated to supporting roles or victim archetypes.

Casting is predominantly white and lacks significant racial or ethnic breadth. The film does not utilize color-blind casting or present a diverse cast.

The story centers on a traditional dichotomy of faith versus the occult. It positions religious authority and law enforcement as stabilizing forces against supernatural threats.

There is no meaningful or agentic portrayal of physical or neurodivergent disabilities. Character struggles focus on grief and possession rather than lived experiences of disability.