
That's Entertainment, Part II
1976

1994
GDirector
Bud Friedgen, Michael J. Sheridan
Runtime
113 minutes
Average Rating
No ratings yetSynopsis
Some of MGM'S musical stars review the studios history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film reflects an era of strict censorship and heteronormative industry standards. While archival footage may contain camp aesthetics, the documentary does not explicitly center or analyze LGBTQ+ identities.
Gender Representation
The star system emphasizes traditional gender roles through archetypes like the ingenue or glamour icon. While female performers receive significant screen time, the film does not subvert established gender hierarchies.
Racial & Ethnic Diversity
Content reflects the demographic exclusions of the early-to-mid 20th century. The footage is predominantly Anglo-Saxon, presenting performers of color within the context of the historical studio system.
Religious & Cultural Diversity
This documentary celebrates the legacy of the American studio system and Western cinematic tradition. It maintains a nostalgic tone that lacks a critical framework to deconstruct historical power dynamics.
Disability Representation
The film focuses on the high-gloss, able-bodied performance standards of the Hollywood musical era. There is no evidence of intentional representation of neurodivergence or physical disabilities.
Strengths
Areas for Improvement
AI Analysis
This documentary serves as a celebratory archival survey of MGM's musical history. Because it relies on existing studio assets, it inherently mirrors the demographic hierarchies and social constraints of the mid-20th century Hollywood studio system. The film functions as a preservation of the 'Golden Age' rather than a progressive social narrative. It documents the era's established archetypes and systemic exclusions without providing a modern, intersectional lens. Ultimately, the work is a traditionalist historical document. It prioritizes the preservation of studio legacy over the exploration of diverse or subversive identities.

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