The film disrupts Middle Eastern cinematic tropes by including Muhannad, a gay IT specialist. His presence within the diaspora community explores how queer identity intersects with the search for freedom in exile.

Amal, an architect, provides a counter-narrative to traditional hierarchies by showcasing female professional agency. However, the story remains somewhat anchored in traditional familial structures and domestic spheres.

The film excels by centering an entirely Iraqi cast and focusing on the specificities of the Baghdad experience. It avoids whitewashing by presenting a non-Western perspective as central to the plot.

Using a post-colonial lens, the film critiques Western geopolitical intervention and the disruption caused by foreign military presence. Magical realism helps navigate the moral complexities of war and displacement.

There is no visible or invisible disability representation present in the character details or synopsis.