The film adheres strictly to heteronormative structures. There is no presence of non-cisnormative identities or same-sex intimacy, as romantic elements focus exclusively on the protagonist's interactions with women.

Traditional gender hierarchies are reinforced through the 'Bond girl' trope. While characters like Tiffany Case show competence, female agency remains tethered to the protagonist and the sexualization of women.

A global setting provides a diverse array of minor characters. However, this diversity serves an aesthetic purpose within a crime trope rather than offering deep agency to characters of color.

The narrative celebrates high-capitalist aesthetics and Western institutions. It portrays the protagonist as a sanctioned agent of the state without critiquing Western hegemony or religious structures.

No visible or invisible disabilities are integrated into the narrative. There are no characters whose agency is driven by a disability.