
To Hell with Codes
2018

Representation Score
Minimal
2018
Director
Ruben Desiere
Runtime
78 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Flower Shop is a tightly-focused, character-driven drama centered on a specific criminal objective. The narrative structure emphasizes a homogeneous male ensemble within a localized setting. The film prioritizes the mechanics of a heist and survival over exploring identity politics. It lacks the complexity needed to address broader social dynamics or institutional oppression. Overall, the film functions as a localized struggle rather than a broader critique of systemic social issues.
Category Breakdown
The film does not include any characters or references to LGBTQ+ identities or experiences.
The story revolves around an all-male ensemble, reinforcing traditional masculine roles without challenging conventional gender norms.
The cast is predominantly made up of a single ethnic group, lacking significant diversity in racial or ethnic backgrounds.
The film explores themes of criminality and resistance against state institutions, but it does not delve into broader anti-capitalist or post-colonial contexts.
The narrative does not feature any characters with visible or invisible disabilities, nor does it use neurodivergence as a storytelling element.
Present on Screen
Limited or Absent
Official Synopsis
In the back room of a flower shop, Tomi, Rasto and Mižu are digging a tunnel in order to break into the safe of the National Bank. After heavy rainfall, the underground maze gets submerged by water and they are forced to stop working.

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