
Ghosting: The Spirit of Christmas
2019

Representation Score
Excellent
2022
PG-13Director
Silas Howard
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Darby and the Dead weaves queer identity into its supernatural premise, moving beyond including someone from a minority group without giving them real depth to offer a substantive exploration of identity. The film highlights women's ability to drive the story and the emotional realities of coming-of-age. While the film excels in queer and gender representation, it offers less clarity regarding the specific racial and ethnic makeup of its ensemble.
Category Breakdown
The film focuses on the relationship between Darby and Capri, highlighting queer identity rather than treating it as a side plot. This relationship challenges the typical high school hierarchy.
The film elevates women's ability to drive the story through protagonists who navigate complex emotional and supernatural situations. It avoids traditional female archetypes by emphasizing female friendship and romantic tension.
The contemporary British setting hints at a more inclusive society. However, the specific ethnic makeup of the ensemble remains undefined within the main narrative focus.
The narrative prioritizes personal grief over religious doctrine when discussing the afterlife. It adopts a secular approach to morality and identity fluidity.
Darby's ability to see ghosts serves as a metaphor for neurodivergence or sensory differences. This explores the experience of social alienation and navigating a unique perception of reality.
Present on Screen
Limited or Absent
Official Synopsis
After Darby Harper suffered a near-death experience as a child, she gained the ability to see ghosts. To combat the existential boredom of high school, she runs a side business counseling local spirits in her spare time. When an unexpected occurrence happens between Darby and Capri, the most popular girl at her high school, Darby reluctantly agrees to help her and in the process learns how to fit in with the living world again.

2019

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