
The Tooth Will Out
1951

Representation Score
Limited
1948
ApprovedDirector
Edward Bernds
Runtime
16 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Pardon My Clutch is a typical mid-century slapstick comedy that prioritizes physical humor and situational irony over social commentary. The narrative revolves around the Three Stooges and their interactions with a deceptive character, following a traditional loop of misfortune and misunderstanding. The film adheres to the era's genre conventions, focusing on a male-centric ensemble and archetypal comedic structures. It lacks intentional narrative subversion or multi-layered storytelling, opting instead for established slapstick clichés. Ultimately, the film serves as a period-typical comedy where character ailments and mishaps serve the gag rather than providing meaningful representation of diverse identities or systemic critiques.
Category Breakdown
There are no LGBTQ+ characters or non-cisgender identities in the film. The story focuses solely on the comedic adventures of the central male trio.
The story centers around a male-dominated cast, with no female characters having significant roles or challenging traditional gender hierarchies.
The film features a predominantly white cast typical of its era. There is no evidence of diverse casting or exploration of ethnic identity.
The plot follows standard comedic clichés involving deception and situational chaos. It does not address cultural critiques or the breakdown of social institutions.
A character's toothache is used strictly as a comedic plot device. The ailment drives physical humor without offering a nuanced portrayal of health or disability.
Present on Screen
Limited or Absent
Official Synopsis
The stooge's friend Claude sells them his old lemon of a car so they can take Shemp, who is sick with a toothache, camping. The car won't work and the boys are apparently out a bundle, when a car collector happens on the scene and offers to buy it at a premium. Claude backs out on the deal and gives the stooges their money back, only to discover the "collector" is an escaped lunatic.

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1952

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1950
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