The film follows a standard horror survival framework. There are no LGBTQ+ characters or narratives addressing non-cisnormative identities.

Female characters like Jenny and the Captain's daughter appear in functional roles. While they hold specific positions, the film does not subvert traditional gender hierarchies.

Casting Giancarlo Esposito as the central scientist provides meaningful racial agency. The Caribbean setting and diverse cast members suggest a varied demographic landscape.

The story adheres to traditional Western genre structures. It focuses on a man versus monster framework rather than exploring systemic critiques or subjective morality.

There is no evidence of characters with visible or invisible disabilities. Characters are defined by professional roles or their status as survivors.