The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The narrative focuses on a traditional quest involving a Tibetan cowboy and his traveling companions.

Joan is presented as an obstinate woman who actively chooses to join the mission. This agency disrupts traditional gender hierarchies by moving her beyond passive or domestic roles.

The story centers on Tibetan culture and protagonists, placing a non-Han ethnic identity at the heart of the plot. This provides significant narrative agency to a distinct ethnic group.

The film prioritizes Tibetan Buddhist motifs and sacred geography over Western structures. It explores morality through a non-Western spiritual lens and a specific cultural worldview.

The character Pu is described as a psychic yet dumb elf, suggesting the inclusion of neurodivergence. This role potentially explores different modes of perception within the group.