
The Good Exorcist
2018

Representation Score
Fair
2013
RDirector
J.T. Petty
Runtime
87 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Hellbenders experiments with combining different genres, emphasizing unique aesthetics over social commentary. By centering children in positions of influence, it disrupts traditional adult-centric hierarchies. Although the film deconstructs conventional Western clichés and stable institutions, it does not offer deep, characters who reflect more than one aspect of diversity. The diversity in the film seems incidental to the carnival setting rather than a deliberate narrative choice. Overall, the film's surrealist approach avoids standard social conditioning but does not delve deeply enough to explore complex identities or systemic power shifts.
Category Breakdown
The film does not include explicit representations of LGBTQ+ identities or same-sex relationships. The characters stick to traditional roles, even though they are highly stylized.
The story shifts the focus from adults to a group of children, which challenges typical social hierarchies. However, the film does not deeply subvert traditional gender power dynamics.
The circus setting implies a mix of socioeconomic backgrounds among the performers. However, there are no central characters of color who have significant influence on the story.
The 'Weird West' setting breaks down traditional Western myths and religious stability. It focuses on a surreal reality rather than conventional narratives.
The stylized characters have a grotesque or 'othered' appearance. There are no characters with disabilities who play a significant role in the story.
Present on Screen
Limited or Absent
Official Synopsis
An exorcism comedy which follows the Order of Hellbound Saints (Brooklyn Parish), a highly secretive and profoundly blasphemous men of God, as they battle demonic forces too terrible to be cast out by traditional Vatican-approved methods.

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