
Bad Ben 7: The Haunted Highway
2020

2018
Director
Nigel Bach
Runtime
67 minutes
Average Rating
No ratings yetSynopsis
In 2016 the horror Tom Riley experienced in a home he bought at a Sheriff's Sale was captured on 21 Security Cameras in the home. What if he was experiencing this over and over again in parallel universes? Bad Ben - The Mandela Effect, gathers footage together that shows the Paranormal Experiences Tom had, seem to keep occurring.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film provides no evidence of LGBTQ+ characters or explorations of non-cisnormative identities. There is no mention of queer themes within the narrative.
Gender Representation
The story centers on a male protagonist, Tom Riley. It lacks evidence of female agency or the subversion of traditional masculine roles in its domestic horror setting.
Racial & Ethnic Diversity
There is no information regarding the racial or ethnic composition of the cast. The focus remains strictly on the protagonist's personal paranormal ordeal.
Religious & Cultural Diversity
The film explores metaphysical themes like parallel universes but lacks broader cultural critiques. It does not engage with organized religion or Western institutional structures.
Disability Representation
The narrative does not feature neurodivergence or physical disabilities as central character traits. No mental health conditions are highlighted in the provided context.
Strengths
Areas for Improvement
AI Analysis
Bad Ben: The Mandela Effect is a niche genre piece that prioritizes metaphysical horror over social or systemic dynamics. The narrative architecture is built around a singular male protagonist's subjective experience with the paranormal. Because the film focuses on a domestic, individual ordeal, it lacks the scope to address intersectional representation or the deconstruction of social hierarchies. The storytelling is contained within a personal, psychological framework. Ultimately, the film functions as a specialized study of the Mandela Effect rather than a vehicle for diverse or inclusive storytelling.

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