
Bad Ben 2: Steelmanville Road
2017

2016
Director
Nigel Bach
Runtime
86 minutes
Average Rating
No ratings yetSynopsis
Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first, he thought people were breaking in, but he soon realized he was dealing with something Paranormal.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or narratives. The story focuses exclusively on the protagonist's supernatural encounters without addressing heteronormativity.
Gender Representation
The plot is driven by a male protagonist, Tom Riley. He occupies a conventional role as an investigator or victim within the horror genre.
Racial & Ethnic Diversity
The narrative centers on a singular character in a domestic setting. There is no evidence of a diverse cast or non-white perspectives.
Religious & Cultural Diversity
The film relies on Western tropes of capitalism and property ownership. It lacks any deconstruction of Western institutions or systemic critique.
Disability Representation
There is no mention of characters with visible or invisible disabilities. The narrative does not address neurodivergence or chronic illness.
Strengths
Areas for Improvement
AI Analysis
Bad Ben is a standard genre piece that prioritizes suspense and horror tropes over social commentary. The narrative architecture follows a traditional structure centered on a singular protagonist's struggle against paranormal forces. Because the film focuses on individualistic storytelling, it lacks intersectional representation. The themes are rooted in personal investment and domestic mystery rather than the exploration of identity or systemic hierarchies. Ultimately, the film functions as a niche thriller that adheres to conventional storytelling patterns without challenging established cultural norms.
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