
Next to Her
2014

Representation Score
Excellent
2016
Director
Hana Jušić
Runtime
105 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Hana Jušić’s drama dismantles the traditional nuclear family, replacing stability with systemic conflict. It centers a female protagonist navigating the collapse of traditional authority to find her own autonomy. The film excels in its subversion of gender roles and its refusal to romanticize caregiving. By portraying the domestic sphere as a site of struggle, it offers a sophisticated critique of social structures. However, the narrative remains narrow in its scope. While it provides deep psychological insight, it lacks explicit representation of LGBTQ+ identities or multi-ethnic perspectives, focusing instead on a specific regional experience.
Category Breakdown
The film does not include explicit LGBTQ+ identities or non-straight relationships. The focus is on the protagonist's internal state and her anonymous sexual encounters.
Marijana takes on the traditionally male role of provider after her father's decline. The film explores women reclaiming power through gritty, transgressive means.
The film focuses on a localized, gritty Balkan reality rather than a multi-ethnic cast. It avoids idealized Western family clichés in favor of specific regional domesticity.
The narrative critiques traditional family institutions, portraying the family as an extractive entity. It prioritizes a secular, survivalist perspective over religious or moralistic frameworks.
Disability serves as a central plot driver rather than a mere device. The father's stroke catalyzes a shift in power, depicting chronic illness as a source of tension.
Present on Screen
Limited or Absent
Official Synopsis
Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

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