The film uses gender non-conformity as a central plot device. Constance de Coulanges navigates the Belle Époque landscape through a masculine disguise, exploring gender performance and the disruption of the gender binary.

The narrative disrupts 19th-century hierarchies by centering a female lead as the primary architect of the plot. Constance possesses superior intellect and strategic agency compared to the male figures of authority.

Set in 1880s Paris, the film reflects the era's social constraints. The narrative focuses on French high society and circus subcultures, showing no explicit evidence of a multi-ethnic cast.

The story explores subjective morality and systemic grievance. It prioritizes a thief's perspective to deconstruct the sanctity of the Louvre and the pursuit of justice through anti-authoritarian means.

There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities. The inclusion of a circus performer highlights physical dexterity but does not address disability agency.