The film contains no discernible LGBTQ+ characters or narratives. The story focuses exclusively on the biological and communal survival of the rugby team.

The narrative centers on a male-dominated rugby team, reflecting the specific demographic of the historical event. This results in a lack of female agency or presence.

As a Uruguayan production, the film offers a non-Anglo-Saxon perspective on survival. However, the cast remains largely homogeneous within the context of the depicted group.

The film engages deeply with moral relativism by framing cannibalism as a desperate response to environmental failure. It challenges Western moral absolutes through survivalist pragmatism.

There is no evidence of characters with visible or invisible disabilities being integrated into the narrative or serving as central agents of the plot.