
Grace Jones: Bloodlight and Bami
2017

Representation Score
Good
2017
UnratedDirector
Rich Lee, Fatima Robinson, Nina McNeely, Chris Marrs Piliero, Bruno Ilogti, Jonas Åkerlund, Colin Tilley, Ben Mor, Chris Ullens, Alek Keshishian
Runtime
63 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Double Dutchess: Seeing Double explores multifaceted identity through a high-concept approach, presenting a kaleidoscopic array of personas. It deconstructs the superstar archetype by showcasing various roles such as artist, leader, and mother. The film effectively portrays the protagonist's professional authority and intellectual competence, moving beyond mere performance to highlight her self-authored image. This dismantles traditional submissive femininity clichés. Despite embracing globalized aesthetics and gender fluidity, the narrative remains tightly focused on the central figure's personal evolution. This narrow focus limits the film’s broader social commentary, even with its progressive visual language.
Category Breakdown
The film uses costumes and styles that emphasize performative identity over traditional gender norms. This approach breaks away from conventional gender presentations by focusing on experimental and fluid expressions.
The work challenges traditional gender hierarchies by highlighting the protagonist's professional dominance and leadership. The main character is shown as a creative director and label head, shifting the focus from male-centric views to a self-driven perspective.
A variety of visual elements and contributions from international directors create a multicultural aesthetic. This approach avoids a single, Anglo-centric viewpoint, though the focus remains on the central figure's transformation.
The film emphasizes personal expression over adherence to religious or cultural norms. It highlights the fluidity of identity, suggesting that personal growth is more important than conforming to societal or family traditions.
There is no explicit depiction of physical or neurodivergent disabilities in the film. Without direct evidence, any assessment would be speculative and potentially inaccurate.
Present on Screen
Limited or Absent
Official Synopsis
A high-art, high-fashion showcase of a star's many personas-and a vivid reminder that our art, not our obstacles, ultimately defines us. Free, focused, and fucking shit up again, it shows every side of Fergie-the superstar, the visual artist, the creative director, the label head, the fashion icon, the wife, and, she'll tell you most importantly, "mom."

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