
The Last Bandit
1949

Representation Score
Minimal
1948
NRDirector
Robert Wise
Runtime
88 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Blood on the Moon is a classic mid-century Western that upholds traditional social hierarchies and narrative structures. The film uses conventional archetypes, such as the wandering hero and the deceitful antagonist, to move the plot forward. While the film shows technical skill and a clear moral stance, it reinforces the social norms of its time. It does not challenge these norms or introduce complex layers of diversity.
Category Breakdown
The film follows a traditional path that assumes everyone is straight or cisgender. There are no characters with LGBTQ+ identities or same-sex relationships.
Gender roles follow mid-20th century norms. While Amy is a strong character, the male characters have more influence over the main conflicts.
The cast is mostly made up of white actors. The film portrays the American frontier through a white, Anglo-Saxon perspective with few characters of color.
The story highlights personal morality and traditional Western values. It focuses on restoring order and correcting wrongdoings through a justice-focused lens.
There are no characters with physical or cognitive disabilities in this film.
Present on Screen
Limited or Absent
Official Synopsis
Down-and-out cowhand Jim Garry is asked by his old friend Tate Riling to help mediate a cattle dispute. When Garry arrives, however, it soon becomes clear that Riling has not been entirely forthright. Garry uncovers Riling's plot to dupe local rancher John Lufton out of a fortune. When Lufton's firecracker of a daughter, Amy, gets involved, Garry must choose between his old loyalties and what he knows to be right.

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