
Bullet for a Badman
1964

Representation Score
Minimal
1964
NRDirector
R.G. Springsteen
Runtime
84 minutes
Average Rating
No ratings yetNew Showbiz Analysis
He Rides Tall is a traditional mid-century Western that follows well-established genre conventions. It focuses on a clear moral divide between law and lawlessness, emphasizing individual action to restore order. The story reinforces the social hierarchies of its time by centering on masculine and Anglo-Saxon perspectives. The narrative structure supports the social structures of its era. By focusing on traditional masculine archetypes and Anglo-Saxon viewpoints, the film avoids any critical examination of broader societal issues. It presents a straightforward morality tale without challenging established norms. Overall, the film exemplifies 1964 genre filmmaking, lacking representation of LGBTQ+ identities, diverse racial backgrounds, and nuanced portrayals of disability.
Category Breakdown
There are no identifiable LGBTQ+ characters or stories in the film. The story assumes everyone is straight or cisgender.
Female characters mainly act as catalysts for male conflicts rather than having their own independent roles. The story focuses on masculine themes of revenge and strength.
The cast is mostly white and uniform, typical for the time period. Characters of color have little influence in the story’s frontier setting.
The story upholds traditional Western values like honor and social order. It reinforces a traditional view of authority without challenging these institutions.
Physical disabilities are shown as tactical disadvantages rather than part of a person's identity. There is no meaningful portrayal of neurodiversity or chronic health issues.
Present on Screen
Limited or Absent
Official Synopsis
A rancher is pressured by his cheating wife and a gang leader, into trying to cripple a marshal's gun hand, after that marshal killed his murderous son in self defense.

1964

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