
Spirits
2004

Representation Score
Fair
2018
Director
Victor Vũ
Runtime
132 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Immortal succeeds as a culturally specific piece of cinema that disrupts Western narrative dominance. By centering Southeast Asian spiritualism and the historical context of French Indochina, the film provides a significant role in driving the story to local characters and a non-Western perspective. However, the film remains tied to traditional genre structures. The romantic elements follow straight-centered reincarnation cycles, and the gender dynamics rely on established clichés rather than challenging them. Ultimately, the film's strength lies in its ethnic authenticity and its ability to weave a complex, multi-century historical tapestry that favors a cyclical, subjective morality.
Category Breakdown
The film focuses on a romantic bond between a male and female protagonist who are reincarnated. There are no queer narratives or non-cisgender identities present.
The female lead drives the plot through her reincarnations, but the story relies on traditional romantic clichés. The narrative follows conventional masculine archetypes defined by ambition and magical powers.
The film features a predominantly Vietnamese cast set in 1930s French Indochina. It centers a non-Western worldview through local folklore and spiritual concepts.
The setting critiques Western institutional power during the colonial era. The narrative prioritizes spiritualism and reincarnation over Western moral frameworks.
There are no prominent depictions of visible or invisible disabilities that serve as central character traits or drive the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Haunting dreams and visions lead An to a mysterious cave where she discovers the terrifying secrets of Hung — a man who lived across three centuries. Hung’s tumultuous life reveals a story filled with ambition, vengeance and dark magic.

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