
Innocence
2005

Representation Score
Fair
2018
Director
Marine Atlan
Runtime
57 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Daniel is a work of psychological surrealism that prioritizes avant-garde expression over traditional narrative clichés. It moves away from comforting educational archetypes to explore systemic dread and existential isolation. The film's strength lies in its ability to disrupt standard narrative structures. It uses dream-like sequences to critique how modern institutions shape the individual psyche. However, the film lacks overt demographic markers. Its focus on interiority means it provides little explicit representation regarding race, disability, or specific LGBTQ+ identities.
Category Breakdown
The film shows a tender and troubling encounter between Daniel and Marthe. While their emotional connection hints at a deeper bond, there is no clear indication of specific LGBTQ+ identities.
The film deconstructs traditional childhood roles through surreal elements. By placing children in high-stakes scenarios, it emphasizes a fluid exploration of psychological ability to act over rigid gender roles.
Set in a French school, the film focuses on psychological depth rather than specific ethnic diversity. It adheres to a conventional European dramatic framework without highlighting particular ethnic backgrounds.
The film critiques how institutions handle trauma by contrasting tango and poetry with terrorist drills. It prioritizes existentialist themes over collective cultural or religious norms.
There are no characters with visible or invisible disabilities in the film.
Present on Screen
Limited or Absent
Official Synopsis
Spooky stuff is afoot in a French school. All of a sudden, 10-year-old Daniel finds himself alone with Marthe – their encounter is both tender and troubling, and it seems to take place in a sort of vacuum. In Marine Atlan’s dream-like feature film debut, children dance tango timelessly, recite poems and do the drill for an imaginary terrorist attack.

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