
Plus ça va, moins ça va
1977

2001
Director
Lenka Hellstedt
Runtime
91 minutes
Average Rating
No ratings yetSynopsis
A bittersweet tale of a love affair between two people whose lives seem to have lost all direction. The female lead, Milla, is drifting aimlessly through life until she meets Aki. They fall in love - but happiness in a relationship shadowed by crime and drugs is not necessarily a given. The movie is based on the novel Minä ja Morrison by first-time author Kata Kärkkäinen
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The central romance between Milla and Aki follows a heteronormative pairing. While the bittersweet tone departs from idealized romantic tropes, there is no explicit evidence of non-cisnormative identities.
Gender Representation
Milla serves as the primary lens for the story, centering a female protagonist's aimless journey. Her involvement in a criminal underworld suggests a subversion of passive femininity.
Racial & Ethnic Diversity
As a Finnish production based on a local novel, the film appears to focus on a homogeneous social environment. No multi-ethnic casting is indicated in the narrative.
Religious & Cultural Diversity
The film explores lives existing outside conventional societal structures through themes of crime and drugs. It deconstructs traditional stability by focusing on systemic dysfunction.
Disability Representation
The narrative contains no mention of characters navigating physical, neurodivergent, or mental health disabilities.
Strengths
Areas for Improvement
AI Analysis
Me and Morrison is a gritty, realist drama that trades romantic idealism for a study of social instability. By centering on characters navigating crime and drug use, the film explores human complexity outside of traditional hierarchies. The production leans into a localized, Finnish demographic, which limits its racial and ethnic breadth. However, it succeeds in providing a female-driven perspective that avoids common gender tropes. Ultimately, the film functions as a character study of marginalized lifestyles rather than a vehicle for explicit identity politics.

1977

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2011
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