Killed by Lightning
2002

Representation Score
Good
2005
Director
Evgeny Yufit
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Bipedalism functions more as a cinematic essay than a conventional narrative, limiting its engagement with traditional demographic representation. The film lacks romantic pairings or social hierarchies, making it challenging to evaluate through standard identity-based frameworks. However, the work excels in intellectually deconstructing the human form through a lens of paleoanthropology and psychoanalysis. By moving away from mainstream clichés, it explores the fluidity of the human condition. While the film does not explicitly represent LGBTQ+ or diverse gendered identities, it centers the concept of biological and mental anomalies, elevating non-normative states to a central thematic position.
Category Breakdown
The film focuses on scientific theories and ontological concepts rather than interpersonal relationships. There are no LGBTQ+ characters or narratives about gender identity.
The story centers on a male scientist dealing with physical and mental anomalies. It lacks diverse gender perspectives and challenges to traditional masculine roles.
Archival materials from the Museum of Anthropology provide a global perspective on human origins. However, race is not a central narrative element or a tool for character's ability to drive the story.
The film challenges Western scientific progress by framing evolution through psychoanalysis and anomalies. This approach prioritizes theoretical complexity over traditional moralities.
The central theme explores an epidemic of physical and mental anomalies, granting a significant role in driving the story to non-normative bodies and treating deviation as foundational.
Present on Screen
Limited or Absent
Official Synopsis
The main character is crazy about about depicting various anomalies in art. Accidentally he finds a cinematography archive which makes him advance a completely new theory on the reasons why humans became bipedal. Yufit proceeds with the plot by describing a scientist struggling against the epidemic wave of anomalies in the physical and mental world thematically started in his other films. This time the struggle takes place on the background of paleoanthropology, psychoanalysis and modern art. As materials of the Museum of Anthropology and other archives are included in the film, it oversteps the boundary between a feature film and documentary.
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