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Most People Live in China

Name: Most People Live in China
Director: Thomas Robsahm, Arild Fröhlich, Sara Johnsen, Magnus Martens, Hans Petter Moland, Terje Rangnes, Ingebjørg Torgersen, Morten Tyldum, Martin Asphaug
Released: 2002
Duration: 83 min

Representation Score

8.0/10

Good

2002

Director

Thomas Robsahm, Arild Fröhlich, Sara Johnsen, Magnus Martens, Hans Petter Moland, Terje Rangnes, Ingebjørg Torgersen, Morten Tyldum, Martin Asphaug

Runtime

83 minutes

Average Rating

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New Showbiz Analysis

Most People Live in China employs a fragmented, multi-perspective structure to explore the human condition. By using nine directors and six writers, the film avoids a singular hero's journey and instead offers a postmodern social tapestry. The film successfully integrates LGBTQ+ themes and disability into its episodic framework. These elements challenge conventional cinematic expectations and offer a multifaceted view of society. However, the film remains localized in its focus. While the title suggests global themes, the content primarily centers on Norwegian social vignettes with limited racial diversity.

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Category Breakdown

Does Most People Live in China have LGBTQ+ representation?

Good

The film includes a storyline about a lesbian couple facing the emotional challenges of loss. This portrayal treats same-sex relationships as a normal part of life.

How does Most People Live in China portray gender?

Fair

The episodic format showcases various gendered experiences, such as a blind girl navigating commercial settings. These vignettes suggest a move away from traditional patriarchal structures through diverse female-led roles.

How racially and ethnically diverse is Most People Live in China?

Fair

The narrative seems focused on local social vignettes within a Norwegian setting. There is little indication of a non-white majority cast or specific multi-layered racial representation.

How does Most People Live in China represent religion and culture?

Good

Inspired by eight political parties, the film explores political pluralism and social fragmentation. It uses a mosaic of disconnected lives to challenge the idea of a unified national identity.

Does Most People Live in China include disability representation?

Good

A visually impaired character is shown actively participating in her environment. She sells lottery tickets, granting her ability to act rather than portraying her as a passive victim.

Present on Screen

The collaborative ensemble approach allows for a broad range of social realities and non-linear human experiences.
The inclusion of a lesbian couple navigating loss provides meaningful, non-straight relationship storytelling.
Depicting a blind character as an active participant provides ability to act rather than relying on clichés of victimhood.

Limited or Absent

The narrative focus remains heavily localized, lacking significant racial or ethnic diversity.
The fragmented vignette structure prevents a deeper exploration of how gender hierarchies are challenged.

Official Synopsis

A movie inspired by eight Norwegian political parties, written by six writers and directed by nine directors: a man gets a nasty surprise skinny dipping, a cow eats a cell phone, a lesbian couple loses a child, a blind girl sells dubious lottery tickets, a boy falls in love, a man picks up a hitchhiker, three girls get help from a man in pajamas, and nine old men find a young girl stuck in a swamp.

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