
Meurtres à Granville
2020

Representation Score
Limited
2025
Director
Pierre-louis Pingault
Average Rating
No ratings yetNew Showbiz Analysis
The film operates as a localized crime procedural that emphasizes atmospheric tension and regional folklore over social deconstruction. It adheres closely to the traditions of the French 'Polar' genre, focusing on a specific mountain setting. While the production makes moderate efforts toward ethnic inclusion through its casting and provides a female lead with clear ability to act, the narrative remains tied to traditional genre conventions. The story's strength lies in its cultural grounding rather than progressive identity politics. Ultimately, the film appears to be a character-driven mystery that explores local craftsmanship and mystery rather than challenging systemic social hierarchies.
Category Breakdown
The film focuses on procedural crime elements rather than LGBTQ+ identities. There are no explicit mentions of LGBTQ+ characters or queer subtext in the central relationship.
Constance is a central figure who play a significant role in driving the story, discovering the main plot catalyst. This dual-protagonist structure avoids traditional damsel clichés by giving her a key investigative role.
The ensemble includes Mohamed Ketfi, adding some ethnic diversity. However, the Savoie setting and focus on local folk art suggest a story deeply rooted in specific European regionalism.
The film incorporates regional folklore and religious iconography, such as Bessans wooden sculptures and a chapel setting. These elements ground the mystery in a specific mountain culture.
The provided details do not contain information regarding the depiction of physical or neurodivergent disabilities within the character arcs.
Present on Screen
Limited or Absent
Official Synopsis
On his birthday, Meyer receives a curious gift: a wooden sculpture of a devil with a demonic and mischievous appearance. Meyer smiles, recognizing it as a typical art object from Bessans, a village in Savoie. He calls Constance, certain that she sent him the devil for his birthday. But he's in for a nasty surprise: not only did Constance not know it was his birthday, but she's also dealing with a frozen corpse found on the French side of the border, locked in an isolated chapel in the mountains. In the victim's backpack is a carved wooden devil. It's not a murder per se, but how can anyone be sure? Did the victim lock himself in by accident, or did the door close and then jam shut after a gust of wind? Having received the same devil, Meyer decides to get involved in the investigation...

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