Extremely Wicked, Shockingly Evil and Vile
2019
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Diversity score: 2.4 out of 10
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The Good Liar
2019
RDirector
Bill Condon
Runtime
109 minutes
Average Rating
No ratings yetSynopsis
Career con man Roy sets his sights on his latest mark: recently widowed Betty, worth millions. And he means to take it all. But as the two draw closer, what should have been another simple swindle takes on the ultimate stakes.
Where to Watch
Diversity & Representation
Overall Score
2.8/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or non-cisnormative identities. The interpersonal dynamics focus entirely on heteronormative frameworks without attempting to subvert them.
Gender Representation
Women drive the central conflict through intellectual agency and psychological maneuvering. Characters like Betty and her granddaughter act as the primary architects of the film's deception.
Racial & Ethnic Diversity
The setting reflects a highly homogenous, predominantly white, upper-class London society. There is a notable absence of diverse ethnic perspectives or color-blind casting.
Religious & Cultural Diversity
The narrative explores moral ambiguity and situational ethics within high-society capitalism. It does not offer a critique of Western institutions or systemic rebellion.
Disability Representation
No visible or invisible disabilities are portrayed. The film does not engage with neurodivergence or physical impairments as part of the character arcs.
Strengths
- Female characters possess high levels of intellectual agency and investigative power.
- The narrative subverts traditional gender hierarchies through complex psychological maneuvering.
Areas for Improvement
- The film lacks racial and ethnic diversity, adhering to a homogenous white landscape.
- There is no representation of LGBTQ+ identities or non-cisnormative characters.
- The story fails to incorporate any portrayals of disability or neurodivergence.
AI Analysis
The film succeeds in subverting gendered power dynamics by centering its suspense on the intellect and suspicion of its female leads. These women navigate the plot with significant agency rather than falling into submissive tropes. However, the production is limited by a narrow demographic scope. The setting and casting reinforce traditionalist, upper-class white norms, offering very little intersectional depth or racial variety. Ultimately, while the character dynamics are intellectually engaging, the film remains a conventional thriller within a homogenous socioeconomic landscape, lacking engagement with diverse identities or cultural critiques.
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