
Fallen
2005

Representation Score
Good
2010
Director
Koen Mortier
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
22nd of May is a postmodern critique that prioritizes psychological fragmentation over demographic representation. It avoids traditional heroic structures, focusing instead on the randomness of suffering and the fragility of social order. The film earns its score by challenging simple moral hierarchies and rejecting straightforward justice systems. While it lacks diversity in terms of LGBTQ+ and racial identities, its narrative structure offers a nuanced, relativistic view of human ability to act. Ultimately, the work functions as an unsettling exploration of existentialism, emphasizing complex thematic depth over conventional narrative arcs.
Category Breakdown
The film centers on the immediate trauma of a violent explosion and its aftermath. There are no explicit LGBTQ+ characters or narratives focused on non-straight identities.
The protagonist is defined by exhaustion and hysteria, disrupting traditional ideas of heroic masculinity. A female character serves as a pivotal figure but the film avoids typical masculine leadership clichés.
Set in a contemporary European environment, the film depicts a localized and relatively homogeneous society. The narrative focuses on a specific local event, suggesting a lack of diverse casting.
The film questions fixed moral absolutes, presenting the distinction between guilt and innocence as ambiguous. It emphasizes existential crisis and moral relativism over traditional Western values like patriotism or religious comfort.
The film highlights psychological and physical vulnerability through the protagonist's descent into hysteria. These depictions of trauma and injury are central to the story's exploration of the human condition.
Present on Screen
Limited or Absent
Official Synopsis
Sam wakes up, gets ready and goes to do his daily job. And then the unexpected happens. A bomb explodes in the center of the shopping mall where he works. He drags himself towards the entrance to save the victims. One by one he pulls them out, until something terrible takes place. In complete hysteria he runs off till he falls down from exhaustion. A woman's voice makes him raise his head. She's one of the victims he saved. She wants to know why the suicide bomber did it. This encounter projects him back in history and even in a surreal world. Thereafter he runs into everyone he saved and feels that their defeat shows many parallels with his own. Even his confrontation with the wrongdoer isn't that straightforward as he thought it would be and confronts him with the fact that guilt and innocence can be pretty much alike.

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