
The Death, Dad & Son
2017

Representation Score
Fair
2005
Director
Oury Atlan, Thibaut Berland, Damien Ferrié
Runtime
5 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Overtime is a minimalist animated short that uses abstraction to avoid traditional demographic markers. By focusing on ragdolls, the film shifts the viewer's attention from social identity to existential and ontological questions. The work avoids common clichés of social hierarchy and racial stereotyping through its non-human subjects. However, this abstraction leads to a lack of explicit multi-layered ability to act or intentional representation. Ultimately, the film's strength lies in its departure from conventional, morality-driven storytelling. It prioritizes a philosophical exploration of loss and the disruption of a creative ecosystem over demographic diversity.
Category Breakdown
The film doesn't show sexual orientation or gender identity. Since the main characters are ragdolls, they exist outside typical human relationships and don't hint at LGBTQ themes.
The story doesn't assign gender roles to the ragdolls or their creator. There's no indication of gender stereotypes or overturning traditional gender roles.
Traditional racial and ethnic markers are missing due to the non-human nature of the characters. While this avoids stereotypes, it also misses proactive diverse representation.
The film explores existentialism by focusing on the absurdity of daily life after a death. This breaks away from traditional Western views on mourning and sanctity.
There are no characters with physical or neurodivergent disabilities. The focus stays on the existential state of the inanimate ragdolls.
Present on Screen
Limited or Absent
Official Synopsis
Little ragdolls find their maker dead in his studio. Unable to understand what truly happened they try to get on with their daily life beside him.

2017

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