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Losing It

Name: Losing It
Director: Audrey Diwan
Released: 2019
Duration: 95 min

Representation Score

5.8/10

Fair

2019

Director

Audrey Diwan

Runtime

95 minutes

Average Rating

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New Showbiz Analysis

Losing It is a sophisticated exploration of identity that challenges traditional gender and sexual norms. By emphasizing the internal desires and ability to act of the female protagonist, the film effectively dismantles traditional patriarchal expectations and assumptions. However, the film's scope is limited by its lack of racial and ethnic diversity, which restricts a more multi-layered perspective. Ultimately, the film offers a progressive examination of the self, prioritizing subjective, postmodern experiences over traditional social norms.

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Category Breakdown

Does Losing It have LGBTQ+ representation?

Good

The film portrays sexuality as a flexible spectrum rather than fixed categories. It highlights the freedom gained by rejecting rigid sexual roles and assumptions that everyone is straight or cisgender.

How does Losing It portray gender?

Excellent

The story emphasizes the internal desires and ability to act of the female protagonist. It prioritizes her personal choices over traditional expectations of proper feminine behavior.

How racially and ethnically diverse is Losing It?

Limited

The cast is predominantly white and middle-class, centered in Paris. It lacks a diverse range of ethnic backgrounds and perspectives.

How does Losing It represent religion and culture?

Excellent

The story questions the emptiness of modern, secular lifestyles. It prioritizes individual sensory experiences and self-discovery over traditional religious or social ethical frameworks.

Does Losing It include disability representation?

Minimal

There are no prominent depictions of physical or neurodivergent disabilities that significantly influence the main storyline.

Present on Screen

Strong focus on the internal desires and ability to act of the female protagonist.
Nuanced portrayal of sexual fluidity and the rejection of fixed identity labels.
Thoughtful critique of modern secular lifestyles and traditional social structures.

Limited or Absent

Lack of racial and ethnic diversity within the cast and setting.
Limited multi-layered dynamics due to the homogeneous Parisian milieu.

Official Synopsis

Roman loves Camille as much as he loves his two daughters. But he is hiding from all of them a serious problem of addiction, which could endanger his dearest. Does love have a chance to survive when trust is broken?

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