
Again
2015

2009
Director
Sumio Ōmori
Runtime
133 minutes
Average Rating
No ratings yetSynopsis
Haiji was an elite runner, but has not competed due to a past injury. He then meets fellow elite runner Kakeru who also left running, but caused by a dispute. Their meeting inspires both young men to run again, with Haiji choosing the fabled "Hakone Ekiden" (long distance relay race). The race requires a 10 member team so Haiji and Kakeru recruits 8 others (some of whom have never even run before). Within this unlikely group of runners a bond is formed through their training and a belief that they can accomplish the impossible.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story focuses on the intense emotional bond between Haiji and Kakeru. However, there is no explicit depiction of non-heteronormative identities or romantic intimacy.
Gender Representation
The narrative centers on a male-dominated running team. While it avoids harmful misogynistic tropes, it lacks significant female agency or the subversion of gender hierarchies.
Racial & Ethnic Diversity
The film presents a homogeneous social environment centered on a specific Japanese cultural institution. It does not utilize diverse casting to challenge demographic norms.
Religious & Cultural Diversity
The film celebrates traditional Japanese values like perseverance and teamwork. It emphasizes the importance of the collective over the individual through the Hakone Ekiden.
Disability Representation
Haiji’s past injury serves as a central pillar of the narrative. The story treats physical vulnerability as a catalyst for growth rather than a source of mockery.
Strengths
Areas for Improvement
AI Analysis
Feel the Wind is an earnest drama centered on athletic perseverance and the formation of communal bonds. The narrative uses the Hakone Ekiden to explore personal redemption and the journey from isolation to collective cohesion. While the film provides a nuanced look at managing physical limitations, it operates within a relatively conventional and homogeneous framework. The focus remains on psychological depth and character resilience rather than systemic subversion. Ultimately, the film succeeds as a character-driven study of human connection but lacks the intersectional complexity found in more diverse modern narratives.

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