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Death List

Name: Death List
Director: Christian Faure
Released: 2009

Representation Score

0.8/10

Minimal

2009

Director

Christian Faure

Average Rating

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New Showbiz Analysis

Death List is a conventional crime thriller that adheres strictly to established genre clichés. The narrative structure prioritizes a standard plot of accusation and exoneration, centering on the relationship between two brothers within a police hierarchy. Because the film focuses on traditional law-and-order themes, it lacks intentionality regarding social or identity-based hierarchies. The storytelling follows a predictable masculine-driven framework common to the crime genre. Ultimately, the film offers little in the way of storytelling that reflects multiple aspects of identity or systemic subversion, functioning as a straightforward genre piece rather than a work of social critique.

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Category Breakdown

Does Death List have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or stories about non-assuming gender matches what was assigned at birth identities. The plot revolves around criminal accusations and family loyalty.

How does Death List portray gender?

Limited

The story centers on a male-dominated hierarchy of police officers and brothers. It follows a traditional masculine-driven plot without elevating women's roles.

How racially and ethnically diverse is Death List?

Limited

The narrative follows a conventional Western crime structure. There is no indication of diverse ethnic casting or non-white majorities.

How does Death List represent religion and culture?

Limited

The film operates within established legal and familial structures typical of the crime genre. It does not prioritize secularism or critique Western institutions.

Does Death List include disability representation?

Minimal

There is no mention of characters navigating physical, neurodivergent, or mental health conditions. The focus remains on external murder accusations.

Present on Screen

The film provides a focused, traditional crime-and-consequence narrative structure.

Limited or Absent

The film lacks representation for LGBTQ+ identities and disability.
The narrative relies on a male-dominated hierarchy with limited women's roles.
There is a lack of racial and ethnic diversity within the storytelling framework.

Official Synopsis

Former cop Michael Lombardi is accused of murder, and only his brother, Roman, is convinced of his innocence. Now the suspicion is moving to Roman when his superiors make an important discovery.

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