The film lacks LGBTQ+ characters or narratives. The plot centers on a traditional conflict between a male antagonist and female protagonists.

A female wrestler provides significant agency by choosing vengeance and combat. However, the use of kidnapped women as plot devices maintains a reliance on gendered vulnerability.

As a Mexican production, the film centers a non-Anglo-Saxon cast. This provides a baseline of diversity compared to the white normativity of contemporary Hollywood cinema.

The story focuses on a struggle against a corrupt individual rather than systemic critique. It suggests a skepticism toward unchecked scientific authority through the mad scientist trope.

Brain transplants and the ape-man Gomar serve as horror elements. These function as manifestations of cruelty rather than portrayals of characters with lived experiences of disability.