
The Business of Amateurs
2016

2020
TV-14Director
Matías Gueilburt
Runtime
94 minutes
Average Rating
No ratings yetSynopsis
For more than forty years, Argentinean sportsman Guillermo Vilas, a tennis legend, has tirelessly demanded that the official rankings (1973-78) be revised in order to finally be recognized as the best player in the world. Eduardo Puppo, a sports journalist, making Vilas' demand his own, fought for more than ten years against a powerful sports corporation to prove that Vilas was indeed unfairly displaced from the top of world tennis.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary focuses on the professional struggle and historical recognition of Guillermo Vilas. It lacks explicit depiction of LGBTQ+ identities or non-heteronormative narratives.
Gender Representation
The film centers on the masculine-coded sphere of professional tennis. It does not explicitly address the subversion of traditional gender hierarchies or the deconstruction of masculinity.
Racial & Ethnic Diversity
The narrative provides a platform for an Argentinean perspective. It centers a South American icon's struggle against a globalized sports bureaucracy, shifting focus away from Western-centric hierarchies.
Religious & Cultural Diversity
The film demonstrates high engagement with themes of institutional critique. It portrays the struggle for historical revisionism as a pursuit of justice against systemic control.
Disability Representation
There is no evidence suggesting that neurodivergence, physical disabilities, or mental health conditions are central to the narrative arc.
Strengths
Areas for Improvement
AI Analysis
Guillermo Vilas: Settling the Score is a focused investigative documentary that prioritizes the reclamation of personal truth over institutional records. Its primary impact is found in its critique of corporate sports authority rather than identity-based representation. The film succeeds in challenging established hierarchies by centering a South American perspective. However, the narrative remains largely confined to the masculine-coded world of professional tennis, offering little engagement with gender or LGBTQ+ themes. Ultimately, the work functions as a study of individual agency against systemic displacement, making it a strong institutional critique but a narrow study of social diversity.

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