The anthology focuses on surrealist vignettes rather than explicit explorations of sexual orientation. There is no prominent evidence of LGBTQ+ characters or narratives that critique heteronormativity.

The film disrupts the traditional male-centric gaze by centering the perspective of a young female protagonist, María. This shift in viewpoint provides a moderate boost to the score.

The inclusion of Ayoub, a young immigrant, introduces an intersectional element to the Spanish setting. However, the film lacks high-agency roles for characters of color across the entire anthology.

The narrative uses postmodernist techniques to deconstruct reality and critique traditional social structures. It portrays childhood as a space of surrealist rebellion against adult logic.

The film utilizes the grotesque and the absurd, which often overlap with depictions of eccentricity. There is insufficient evidence that these characters are handled as meaningful representations of disability.