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47 Talking Corpses

Name: 47 Talking Corpses
Director: Carlo Ludovico Bragaglia
Released: 1950
Duration: 86 min

Representation Score

2.0/10

Minimal

1950

Director

Carlo Ludovico Bragaglia

Runtime

86 minutes

Average Rating

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New Showbiz Analysis

47 Talking Corpses is a traditional mid-century comedy that prioritizes situational farce and moralistic storytelling. The plot functions as a character study of greed, using a trickster motif to drive the narrative forward. The film adheres to the established social and demographic constraints of 1950s Europe. It focuses on a singular, selfish authority figure and a collective of townspeople, maintaining a very conventional social structure. Ultimately, the work lacks representation that reflects multiple aspects of identity. It relies on archetypal characters and religious themes to explore the tension between individual hoarding and communal responsibility.

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Category Breakdown

Does 47 Talking Corpses have LGBTQ+ representation?

Minimal

The film follows the traditional social structures of 1950s Italy. There is no depiction of non-straight or non-cisgender identities, nor does it challenge the assumption that everyone is straight or cisgender.

How does 47 Talking Corpses portray gender?

Limited

The story is mainly driven by male authority figures like the Baron and the Major. It lacks the challenge of traditional gender roles and diverse female roles.

How racially and ethnically diverse is 47 Talking Corpses?

Limited

The production reflects the homogeneous demographic reality of mid-century Italy. It does not include a multi-ethnic cast or any instances of race-bent casting.

How does 47 Talking Corpses represent religion and culture?

Fair

The story uses religious constructs, such as saving one's soul, as a tool for social manipulation. It focuses on personal greed rather than critiquing institutional systems.

Does 47 Talking Corpses include disability representation?

Minimal

The film provides no evidence of characters with visible or invisible disabilities. No representation of disability is present in the narrative.

Present on Screen

The film presents a clear moral fable about civic responsibility versus private greed.
It employs an effective classic farce structure centered on a clever community trick.

Limited or Absent

The narrative lacks diverse representation across gender, race, and LGBTQ+ identities.
The story relies on traditional social hierarchies rather than challenging them.

Official Synopsis

Greedy Baron Antonio Peletti refuses to give to his town the heredity left by his father, a box full of precious jewels, which he keeps for himself. The major and the rest of the townspeople therefore organize a trick at his expense: they'll make him believe he is dead, and, in a fake "afterlife", they'll try to convince him to finally show them where the money is hidden to save his soul.

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