Music of the Spheres
1977

Representation Score
Minimal
1970
Director
Jordan Belson
Runtime
6 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Jordan Belson’s *World* is a non-narrative experimental work that prioritizes cosmic and biological processes over human-centric storytelling. Because the film eschews traditional characters, dialogue, and casting, it cannot be measured by standard metrics of identity politics or social hierarchy. While the film lacks representation in categories like race, gender, and LGBTQ+ identity, it succeeds in offering a radical departure from Western anthropocentrism. It replaces traditional social structures with a meditative, bio-astronomical focus. The low overall score is a mathematical byproduct of the film's abstract nature rather than a lack of inclusive intent. It functions as a visual music piece that exists entirely outside the framework of character-driven drama.
Category Breakdown
The film does not feature any characters or interpersonal relationships, focusing instead on abstract bio-astronomical events. Therefore, it does not depict gender identities or sexual orientations.
There are no human figures or gendered personas in the work. The subject matter remains purely elemental and cosmic, avoiding any engagement with gender hierarchies.
The film uses fluid, abstract imagery rather than a cast of actors. It does not depict race, ethnicity, or human social structures.
The work promotes a secular, cosmic perspective by framing creation as a bio-astronomical event. It avoids singular religious morality in favor of a fluid, interconnected view of existence.
The abstract visual sequences do not include human characters. Consequently, there are no depictions of physical or mental states to evaluate.
Present on Screen
Limited or Absent
Official Synopsis
In fluid sequence the birth of a world depicted as a bio-astronomical event.
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