The film operates within a conventional heteronormative framework. There are no identifiable LGBTQ+ characters or non-cisnormative identities present in the narrative.

Narrative agency is concentrated heavily among male characters involved in warfare and politics. Women occupy roles that reinforce traditional domestic or supportive structures.

The casting reflects a predominantly homogeneous white cast consistent with 12th-century Scotland. The film maintains a traditional Eurocentric historical lens.

The story depicts a feudal structure driven by clan loyalty and religious institutions. It portrays these systems as foundational rather than inherently oppressive.

There is no meaningful engagement with visible or invisible disabilities. Characters are defined primarily by their physical utility in martial or survivalist contexts.