
I Was at Home, But...
2019

Representation Score
Good
2017
PG-13Director
Jordan Canning, Kris Booth, Renuka Jeyapalan
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Ordinary Days presents a moderately inclusive film that avoids harmful stereotypes. Using a postmodern, observational approach, the film avoids traditional storytelling and hierarchies. Through a multicultural directorial team and urban setting, the film offers a non-monolithic perspective, focusing on the everyday lives of a diverse population. However, it lacks active subversion or explicit representation for certain identities, such as LGBTQ+, neurodivergent, or physically disabled characters.
Category Breakdown
The film does not explicitly show non-straight relationships or same-sex intimacy. It portrays everyday life without highlighting specific LGBTQ+ visibility.
The story avoids traditional male dominance or passive female roles by focusing on character development. It leans towards gender-neutral storytelling without challenging existing hierarchies.
Set in a multicultural city, the film features a diverse cast, including South Asian characters. It highlights the overlooked moments of a pluralistic society.
By focusing on everyday life, the film steers away from traditional heroic stories, emphasizing human connections over religious milestones.
The film does not depict physical disabilities or neurodivergence. It lacks representation showing the actions and decisions of disabled or neurodivergent characters.
Present on Screen
Limited or Absent
Official Synopsis
A college student disappears for five ordinary days.

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