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Elon Doesn't Believe in Death

Name: Elon Doesn't Believe in Death
Director: Ricardo Alves Jr.
Released: 2017
Duration: 75 min

Representation Score

1.8/10

Minimal

2017

Director

Ricardo Alves Jr.

Runtime

75 minutes

Average Rating

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New Showbiz Analysis

Elon Doesn't Believe in Death is a conventional existential drama that prioritizes individual grief over social commentary. The narrative follows a linear, investigative path driven by a singular domestic crisis, which limits its scope for diverse representation. The film relies on traditional dramatic structures, centering the male experience of loss. While it utilizes a metropolitan backdrop to highlight isolation, it does not engage with multi-layered identities or systemic social critiques. Ultimately, the work functions as a character study of alienation. It lacks the intentionality needed to challenge established cultural norms or disrupt traditional social hierarchies.

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Category Breakdown

Does Elon Doesn't Believe in Death have LGBTQ+ representation?

Minimal

The film focuses on a traditional marriage between Elon and Madalena, assuming both are straight and cisgender. There is no critique of the assumption that everyone is straight or cisgender or exploration of non-conforming identities.

How does Elon Doesn't Believe in Death portray gender?

Limited

The story centers on a male protagonist's emotional journey and his active role in driving the plot. Madalena serves as a passive catalyst for the plot rather than an active participant.

How racially and ethnically diverse is Elon Doesn't Believe in Death?

Fair

As a Brazilian production, the setting is established, but specific racial compositions are not detailed. The score reflects a neutral baseline without explicit ethnic dynamics.

How does Elon Doesn't Believe in Death represent religion and culture?

Fair

The narrative explores existentialism and subjective morality through a personal lens. It portrays institutions like law enforcement as functional tools rather than subjects of systemic critique.

Does Elon Doesn't Believe in Death include disability representation?

Minimal

There is no evidence of characters navigating physical disabilities, neurodivergence, or mental health conditions as central narrative elements.

Present on Screen

The film offers a focused character study on the subjective experience of grief and personal loss.

Limited or Absent

The narrative lacks representation of multi-layered identities and fails to challenge traditional gendered or straight-centered structures.
The female lead remains a passive object of the search rather than a fully realized, active character.
There is a lack of engagement with disability, neurodivergence, or diverse racial and ethnic dynamics.

Official Synopsis

As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.

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