The film follows a strictly heteronormative structure centered on anthropomorphic characters. There is no presence of non-cisnormative identities or same-sex intimacy.

The story relies on traditional 1970s gender archetypes. While not overtly misogynistic, the narrative lacks agency-driven female characters, favoring paternal figures and male protagonists.

Because the cast consists of non-human entities in a fantasy setting, the film lacks human racial or ethnic identifiers. This precludes any exploration of intersectional racial dynamics.

The narrative emphasizes cosmic duty and the preservation of time. It reinforces traditional responsibilities and institutional order rather than offering moral relativism or cultural critiques.

Happy the Baby New Year experiences social alienation due to his unconventional appearance and laugh. However, this is treated as a quirk to be resolved through integration.